# DEFILEMENT OF CONSCIENCE ENTRAINMENT TODAY

## THE PLANNED DEFILEMENT OF YOUR CONSCIENCE THAT CONTINUES IN TODAY’S ENTERTAINMENT

OUR CURRENT IMPOSED MUSIC STANDARD CONCOCTED BY ADOLPH HITLER (*who** played at 440Hz*) AND JOSEPH GOEBBELS, IS 440Hz. (*Goebbels rose to power in 1933 along with Hitler and the Nazi Party and he was appointed Propaganda Minister. One of his first acts was the **burning of** books** rejected by the Nazis.*)

Most music worldwide has been tuned to 440 hertz since the International Standards Organization (ISO) endorsed it in 1953, following the prior recommendations of the Nazi party spokesman, Joseph Goebbels in 1939.

**A LITTLE HISTORY AND ENLIGHTENED SCIENCE**

“Entrainment is about the tendencies of the universe to share rhythm, to vibrate in harmony. This principle, found in many sciences, of the tendency for two oscillating bodies to lock into phase so that they vibrate in harmony is particularly poignant in music.

Through entrainment music has the potential to (1) resonate with the listener’s feelings, (2) transform negativity into positivity, and (3) promote a state of liveliness or serenity. Certain sounds, in specific sequence can help bring the listener from one place to another.

Melody is about the changes and patterns found in the foreground of music

For the music to sound consonant (in tune) the different notes being sounded simultaneously need to be related in a way which is pleasing to the ear.

Tuning based on a series of twelve notes in perfect fifths has played an important part in world musical traditions. The difference in frequency between two pitches is an octave, a note and another note with twice its frequency form an octave. Octaves are perceived as a consonance in every musical culture.

**MUSIC AND 432Hz****USIC Music & 432**

432 times 432 = **186624 **the **classic speed of light** is 186400 miles/second, a difference of .001201.

**E=mc2 —Einstein’s famous equation of energy and matter – – where E= energy, m = matter, and c = the universal constant speed of light. **

**The speed of light in 1983 was generally accepted to be 186,291 miles per second in a vacuum so 432 as the square root of the speed of light should only experience the usual suspects as sceptical. This number converted by the pyramid inch is 186,496. ( 186,291 [accepted speed of light in a vacuum per 1983 agreement] x 1.0011) **

The distance from the centre of the earth to the average height of the atmosphere. This value is given as 4320 arc-minutes, which harmonically can be reduce down to 432 the fundamental vibration for the sixth node in the octave

A line showing the speed of light on a scale model of Earth and the Moon, about 1.2 seconds.

The archaic Egyptian instruments that have been unearthed, so far, are largely tuned to 432 Hz. In ancient Greece (the school book original place for music) their instruments were predominantly tuned at 432 Hz. Within the archaic Greek Eleusenian Mysteries, Orpheus is the god of music, death and rebirth, and was the keeper of the Ambrosia and the music of transformation (his instruments were tuned at 432 Hz).

SOME MORE TECHNICAL INFORMATION .. (simple method for you to convert your favourite music follows)

**PYTHAGOREAN TUNING**

**Pythagorean tuning** is a system of musical tuning in which the frequency relationships of all intervals are based on the ratio 3:2. Its use has been documented as long ago as 3500 B.C. in Babylonian texts. It is the oldest way of tuning the 12-note chromatic scale and, as such, it is the basis for many other methods of tuning

Pythagorean tuning is tuning based only on the perfect consonances, the (perfect) octave, perfect fifth, and perfect fourth. Thus the major third is considered not a third but a ditonic, literally “two tones”, and is 81:64 = (9:8)², rather than the independent and harmonic just 5:4, directly below. A whole tone is a secondary interval, being derived from two perfect fifths, (3:2)²/2 = 9:8.

In equal temperament, and most other modern tunings of the chromatic scale, pairs of enharmonic notes such as E flat and D sharp are thought of as being the same note — however, as the above table indicates, in Pythagorean tuning, they theoretically have different ratios, and are at a different frequency. This discrepancy, of about 23.5 cents, or one quarter of a semitone

**PYTHAGOREAN COMMA**

In Western music, 12 perfect fifths and seven octaves are treated as the same interval

In music, when ascending from an initial (low) pitch by a cycle of justly tuned perfect fifths (ratio 3:2), leapfrogging twelve times, one eventually reaches a pitch approximately seven whole octaves above the starting pitch. If this pitch is then lowered precisely seven octaves, it will be discovered that the resulting pitch is 23.46 cents (a very small amount) higher than the initial pitch. This micro-tonal interval is called a **Pythagorean comma**, and sometimes called a **ditonic comma**.

Put more succinctly, twelve perfect fifths are not exactly equal to seven perfect octaves, and the Pythagorean comma is the amount of the discrepancy.

**432 vs. 440: the movement to return to “Verdi’s A” **

The Schiller Institute in Milan Italy on April 9, 1988 launched a campaign to lower the international standard musical pitch to middle-C=256 cycles per second (A=432 cycles per second), in order to preserve the human voice and to return the performance of Classical music to that of the classical composers’ poetic intentions.

Bach’s 440 Hz only touches 8, leaving out an entire section of the complete musical resonance of the universe, which thus remains untouched and

not integrated within the 440 Hz music of today

By detuning the note ‘a’ to 432 (harmonic of 54, 108 & 25920 / 60) then the frequency of ‘D’ becomes 144 Hz (144000 cycles per second) Using 432hz as frequency allows for all the wavelengths to harmonize easily with each other.

“An original new connection of geometry, astronomy and sacred sites to music theory. The international standard of tuning is 440 Hz = the note “A”. Set in stone by J.S. Bach when the correction to 432 is made, the others notes of the entire octave display a multitude of Gematrian ancient sacred numbers that are astoundingly relative to astronomy, sacred geometry, The Bible and other mysterious literary works such as the Bhagavad-gita and exact longitude and latitudes and hundreds of pyramids and other sacred sites.

**Reasons to change the standard of tuning from 440Hz to 432Hz **

Harmonically aligns to astronomical time count of Precession of the equinoxes, 432 X 60 = 25920

The original Stradivarius violin was designed to be tuned to 432, it is the most precise instrument ever constructed by humans.

432 is found at countless ancient sacred sites

over 2,000 signatures on a petition to the Italian government to change the standard to 432 due to the registers ripping many opera singers voices in 440

The most important of all is when the correction to 432 is made, the others notes of the entire octave display a multitude of Gematrian ancient sacred numbers that are astoundingly relative to astronomy, sacred geometry, The Bible and other mysterious literary works such as the Bhagavad-gita and exact longitude and latitudes and hundreds of pyramids and other sacred sites.” ^{1}

**THE DIFFERENCES**

**FEW WHOLE NUMBERS:**

Modern Standard Tuning (A = 440 Hz, C = 261.63 Hz)

Sources: http://www.phy.mtu.edu/~suits/notefreqs.html and http://www.sengpielaudio.com/calculator-notenames.htm

Note Frequency (Hz)

– Mid Low (1 octave below middle C)

C 130.81

D 146.83

E 164.81

F 174.61

G 196

A 220

B 246.94

– Mid (middle C)

C 261.63

D 293.66

E 329.63

F 349.23

G 392

A 440

B 493.88

– Mid High (1 octave above middle C)

C 523.25

D 587.33

E 659.26

F 698.46

G 783.99

A 880.00

B 987.77

**ALL WHOLE NUMBERS:**

Stradivari/Verdi Tuning (A = 432 Hz, C = 256 Hz)

Calculated using the Pythagorean method of 3:2 ratio for dominants, 11:8 for sub-dominants, 2:1 for octaves.

Note Frequency (Hz)

– Mid Low (1 octave below middle C)

C 128

D 144

E 162

F 176

G 192

A 216

B 243

– Mid (middle C)

C 256

D 288

E 324

F 352

G 384

A 432

B 486

– Mid High (1 octave above middle C)

C 512

D 576

E 648

F 704

G 768

A 864

B 972

**HOW TO: CONVERT CURRENT 440Hz MUSIC TUNING STANDARD TO THE ANCIENT PYTHAGOREAN TUNING OF 432Hz.**

**HOW YOU CAN CONVERT YOUR MUSIC TO 432Hz Pythagorean ..**

First download Audacity from Sourceforge and install it.

http://audacity.sourceforge.net/

After installation open the file you wish to convert in audacity, then click “edit” and select all

Then go to “effect”, change “pitch and Pitch” From A down To A.

“Percent Change” Put this: -1.776

“Semitone (half-steps):”should read -0.31

***** “Frequency (Hz):” Don’t worry about changing what’s already there(most likely it says something other than 440), leave it as it is, this will do the trick fine.

Convert and save ..

There you go, enjoy!

Additional Reading .. http://www.schillerinstitute.org/music/revolution.html

A Youtube search of 432 Hz is also enlightening and can lead you to already converted pieces..

- http://www.carnaval.com/music432/ ↩

*Scridb filter*

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